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CREATIVITY

Why I dance By Rajam Ramamurthy, MD                                                                 Why do you like dance? That is a
                                                                                                  more difficult question to answer than
   Dr. Rajam Ramamurthy of the Arathi School of Indian Dance performs in August 1998 at the       why you like to entertain with dance. I
   San Antonio Folklife Festival. Photo courtesy University of Texas at San Antonio Institute of  have to dance. My parents and grand-
   Texan Cultures                                                                                 parents used to say that I was dancing
                                                                                                  at age 2. I do remember dancing as a 4-
                                                                                                  year-old every night when my mom’s
                                                                                                  six brothers and two sisters gathered
                                                                                                  after dinner in her parents’ home in
                                                                                                  Kollam (Quilon) Kerala when we went
                                                                                                  for long vacations.

                                                                                                    In my family there has never been a
                                                                                                  dancer, trained or natural. Also at the
                                                                                                  time I was growing up, the most popular
                                                                                                  dance form in south India,
                                                                                                  “Bharathanatyam,” was taboo for us
                                                                                                  young girls as it was denigrated and sti-
                                                                                                  fled during the British occupation of
                                                                                                  India and was practiced mostly by the
                                                                                                  community of courtesans. However, by
                                                                                                  the time I was in school, the art had been

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